The Cambridge Companion to Bach

The Cambridge Companion to Bach

Benefiting from the research of eminent Bach scholars, this 1997 Companion examines Bach's work in the context of his age.

The Cambridge Companion to the Lied

The Cambridge Companion to the Lied

This is an introductory chronicle of the Lied and places it in its full context, first published in 2004.

The Cambridge Companion to the Concerto

The Cambridge Companion to the Concerto

A rare volume dedicated entirely to scholarship on the genre of the concerto.

The Cambridge Companion to the Symphony

The Cambridge Companion to the Symphony

A comprehensive guide to the historical, analytical and interpretative issues surrounding one of the major genres of Western music.

The Cambridge Companion to the Harpsichord

The Cambridge Companion to the Harpsichord

Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.

The Cambridge Companion to the Organ

The Cambridge Companion to the Organ

This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.

The Cambridge Companion to Mendelssohn

The Cambridge Companion to Mendelssohn

The Companion to Mendelssohn, is written by leading scholars in the field. In fourteen chapters they explore the life, work, and reception of a composer-performer once thought uniquely untroubled in life and art alike, but who is now broadly understood as one of the nineteenth century's most deeply problematic musical figures. The first section of the volume considers issues of biography, with chapters dedicated to Mendelssohn's role in the emergence of Europe's modern musical institutions, to the persistent tensions of his German-Jewish identity, and to his close but enigmatic relationship with his gifted older sister, Fanny. The following nine essays survey Mendelssohn's expansive and multi-faceted musical output, marked as it was by successes in almost every contemporary musical genre outside of opera. The volume's two closing essays confront, in turn, the turbulent course of Mendelssohn's posthumous reception and some of the challenges his music continues to pose for modern performers.

The Cambridge History of Seventeenth-Century Music

The Cambridge History of Seventeenth-Century Music

The Cambridge History of Seventeenth-Century Music seeks to provide the most up-to-date knowledge on seventeenth-century music together with a vital questioning of the way in which such a history can be told or put together for our present purposes. Written by a distinguished team of experts in the field, the chapters not only address traditional areas of knowledge such as opera and church music, but also look at the way this extremely diverse and dynamic musical world has been categorised in the past and how its products are viewed from various cultural points of view. While this history does not depart entirely from the traditional study of musical works and their composers, there is a strong emphasis on the institutions, cultures and politics of the age, together with an interrogation of the ways in which music related to contemporary arts, sciences and beliefs.

The Cambridge Companion to Schumann

The Cambridge Companion to Schumann

This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.

The Cambridge Companion to Singing

The Cambridge Companion to Singing

Ranging from medieval music to Madonna and beyond, this book covers in detail the many aspects of the voice.